►On the drawing board (new projects) - go here
►Some reviews (on Henry Mancini, Steve Gadd and others) - go here
♪
new works for solo bass
trombone/piano accompaniment:
Mamba Dance, Sweet Lullaby (also for cello),
Hyper 1 [audio
samples coming soon]
♪ award from ASCAP
♪ bass trombone works (Furiant & Carrousel) being premiered in Vancouver
♪ Jonathan Warburton to tour Israel in 2008 premiering Dossett compositions
♪
Concerto
for Bass Trombone and Wind Ensemble, new for 2008
(The Concerto is published through
Gold Branch Music, Inc. A
piano accompaniment version is also available).
♪ new publication of book of 10 duets for tenor trombone & bass trombone coming in 2008 through Warwick
♪ 2 original compositions, Scenes for Bass Trombone and Furiant, have been put onto the Trinity Guildhall Exam syllabus for grades 6 & 8 bass trombone exams for 2007. After the Associated Board Exams these are the most important graded exams in the UK (and also in many other places). For more details go here
♪ new work for Eastern Trombone Workshop in Washington, DC to premiere next March 2009
♪ new work for cello and piano
♪ new work for orchestra
♪ new song for demo recording of Hannah Dossett
Trilogy For Bass Trombone "I think it's a wonderful piece. It's kind of deceptive, in that looking at the notes it looks like a piece for younger players, in both the piano and the trombone part, and can indeed be played by advanced younger players. But once you start working on it, and putting it together with piano, it really reveals itself to be much more challenging and musically unique. And the style is such that it can be an excellent balancing factor on any recital, no matter what else is on there. My pianist really liked it too--it gives them a welcome change from overly dense piano parts or reduced concerto writing and they have a good time with it."
"One of the few bass trombone pieces (Trilogy)
worth stealing to play on tuba."
DAVID ZERKEL (PROFESSOR OF TUBA, UNIVERSITY OF GEORGIA SCHOOL OF
MUSIC)
"There's so much junk out there, it's a pleasure to have these two
(Trilogy & Song For Rachel) treasures."
JIM BERMANN (FLORIDA ATLANTIC UNIVERSITY, FLORIDA GRAND OPERA, MIAMI
CITY BALLET, PALM BEACH POPS)
Thomas
Streeter
- Illinois Wesleyan University (originally commissioned)
Dennis Bubert - Fort Worth Symphony Orchestra
Steve Norrell - New York Metropolitan Opera Orchestra
Chris Matten - US Air Force Band, Washington, DC
Karl Johnson - US Marine Band, Washington, DC
Jack Schatz - New York Studio Musician
Jonathan Warburton - Freelance Soloist, England
Jim Bermann - Florida Atlantic University, Florida Grand Opera, Miami City
Ballet
Randy Campora - Baltimore Symphony Orchestra
Don Waldrop - former LA Studio Musician / Bob Florence Band
Paul Pollard - Hong Kong Symphony
Matthew
Guilford
- National Symphony Orchestra
Murray Crewe - Pittsburgh Symphony Orchestra
Flight
Of Fancy DYJACD-1
←(rollover
picture)
Doncaster
Jazz Orchestra
John Ellis, Director
Featuring
Starscape which won the 1996 BBC Big Band Competition
'DJO's 'Flight of Fancy' is
nothing short of
sensational from start to finish.
This is some of the finest big-band music you're likely to hear
anywhere."
JACK BOWERS (JAZZ NEWS USA)
"The sound of the band is wonderful and the solo playing is highly
skilled. A truly remarkable album!"
BENNY GREEN (BBC RADIO 2 BROADCASTER)
"Without exception I can
recommend this profoundly musical jazz-packed disc as being one of the prime
essentials for the enhancement of anybody's album collection - superb!"
KEN RATTENBURY (CRESCENDO & JAZZ MAGAZINE)
Notes
on the Program
(rollover
picture)→
The Beat
Goes On, by Tom Dossett surveys the development of the modern drum
set by both narrative and musical means, featuring The United States Air
Force Band and the amazing talents of
Steve
Gadd. Tom Dossett has expertly woven diverse musical
styles into a work featuring small combos, big-band, and unified full
concert band. The piece is divided into five sections, each
covering a general stylistic period in drum set evolution:
pre-1900, military influences/Ragtime and early Jazz, Swing/Be-Bop/Latin
influences, progressive and modern Jazz, and Rock and Fusion (featuring
Gadd's personal influences).

Meeting
a musical hero
(rollover
picture)↑
Tom Dossett of Fredericksburg, Virginia, arranged and
orchestrated some of Henry Mancini's legendary scores, including
"The Great Race March" and "The Swing March" for a February 1992
concert at Constitution Hall, Washington, D.C. Dossett
called the experience of working with Mancini, one of his
musical heroes, "A tremendous highlight of my career."
Dossett also has written for country music artist Lee Greenwood,
arranging six of Greenwood's greatest all-time hits to be used
for tours of major cities.
Publications,
Performances, and Exhibitions
←(rollover
picture)
Tom Dossett, class of '74, wrote Trilogy for Bass Trombone,
a commissioned work for Illinois Wesleyan Professor of Music Thomas
Streeter. The piece was performed at the Nassau-Suffolk Festival
by acclaimed bass trombonist Jack Schatz in May, and has previously been
performed by some of the nation's premier trombonists, including Steve
Norrell of the New York Metropolitan Opera Orchestra, Chris Matten of
the U.S. Air Force Band, and Streeter. As a
composer/arranger/songwriter and conductor, Dossett has worked with
dozens of A-list entertainers, including Bobby McFerrin, Lee Greenwood,
and Roger Miller. He was also senior writer for the U.S. Air Force
Band.
Remembering
the Glenn Miller AAF Orchestra
←(rollover picture)
With authenticity the goal, our show will be as it was performed in
the 1940's with Air Force musicians performing original Glenn Miller
music in period "pinks and greens" uniforms...this historic
production will be taken directly to communities throughout the
country in a special nationwide community relations tour. It
will then be presented in New York City's famed Carnegie
Hall...(and) in Boston as part of the city's Independence Day
Celebration...
The
Reviews
I looked over the "Jazz from the Summit" teaching aids and
they look great. The improv ideas are sound, and I think everyone
publishing educational jazz should include the written scales for
soloing as
you do. - JAMEY AEBERSOLD
...The charts themselves are refreshing...In summary, instructional jazz band charts at this level of instruction, like this series, are invaluable to the future of jazz education in the public schools. - DR. JOHN KUZMICH, Editor, Jazz Educators Journal
Nick Lane, Roger Fletcher and Tom were the writers